Paper Fruit

The Locus Poll and Survey is upon us, and Vermilion has made their Recommended Reading List in the First Novel category! This is super exciting, I’ve never made one of their lists before, for anything, so having my first novel in there is really wonderful. So yes, you can vote for Lou. (The link takes you right to the poll!) And if you did, well, I’d just really appreciate it.

Here are some interesting things about this, at least to my mind:

• Anyone can vote in the Locus Poll. (Subscribers’ votes count twice, but anyone can vote.)

• You must enter your name and valid email address to have your vote counted.

• You don’t have to vote in all categories.

• If you see more than one thing you liked in a single category, you put rankings from 1 to 5 in the boxes beside them, in order of your preference.

• You can write in favorites you don’t see listed, like my publishers Word Horde or LFP in Best Publisher. Just, you know, for instance. 

Okay! That’s all!

Hey Vermilioneers! Guess what? You can now enjoy Vermilion as an audiobook, out from Blackstone. It’s out, so get yourself a copy! The talented Emily Woo Zeller is narrating, and man, from what I’ve heard, she really nails it. You can get it through Audible or as an MP3 CD.

In terms of Lou’s continuing adventures, you can now pick up a short story about Lou’s first adventure. “Qi Sport,” a reprint from Stone Skin’s Schemers anthology, is now available if you purchase the ebook of Nightmare Magazine‘s August issue. Or, you can wait until later in the month to read it for free.

And, as always, I appreciate your support! If you’ve read and enjoyed Vermilion, please consider leaving a review, or telling a friend. Thanks!

Vermilion is continuing to receive absolutely delightful reviews. I’m so very pleased readers and critics are enjoying it; it means the world to me.

Most recently, The Arkham Digest and Foreword Reviews discussed it, and both of them had very nice things to say.

The Arkham Digest:

The world building is excellent, and Molly has created a gritty Western world in which the supernatural exists alongside the normal. Bears talk and have their own civilization, co-existing with man despite tensions. Spiritual and undead threats are handled by professional psychopomps like Lou, while monsters are dealt with by licensed monster hunters. … Fans of fantastic adventure books and readers looking for something fun and different shouldn’t hesitate to pick this one up, as it’s already one of the best books of 2015.

As for Foreword Reviews:

A well-wrought character, she dresses androgynously and often passes as a man; and as an Asian American, she handles Old West racism with humor and grit. Molly Tanzer’s steampunk world layers the rough Old West of gold-rush San Francisco with the influx of Chinese immigrants and the Victorian propriety and technology attendant with the genre. The dialogue in Vermilion is vibrant and playful, with a hard edge, and offers a strong rooting of place somewhere between Victorian English and rough-and-tumble western American dialects. … Sentence for sentence, Tanzer demonstrates a strong sense of language and place, and as a whole, the world is a place which definitely demonstrates influences (anthropomorphic bears call to mind The Golden Compass; Lou’s duster and shotgun, Pretty Deadly), but is wholly unique and pleasurable to become enveloped by.

I’ll take any review that compares my stuff to The Golden Compass. Dang.

I also did an interview, over at the delightful Angela Slatter’s blog:

1. What do readers need to know about Molly Tanzer?

As my mother would say, “need is such a slippery word!” I’d certainly like readers to know that I’m a writer of short stories and novels, and that said fictions are available online and for purchase via various retailer and e-tailers—and that I think they will please anyone who like things such as historical fantasy, picaresque, Lovecraftiana (sometimes), gender-bending, genre-bending, and sexy times.

I’d also like them to know that I mix a killer cocktail.

And if that wasn’t exciting enough, my publisher/editor Cameron Pierce released a preview cover for The Pleasure Merchant, which is forthcoming this November from LFP. Isn’t it gorgeous? I love how it fits with A Pretty Mouth but is entirely its own thing.

The Pleasure Merchant; or, The Modern Pygmalion is the first of two books I’ll be putting out with LFP over the next year. The second will be a reprint of the novella “Rumbullion: An Apostrophe” that debuted in my collection Rumbullion and Other Liminal Libations. This is great news, as I know the cost of the original collection was prohibitive to many, and the print run was obviously limited. I’m excited Cameron’s giving me the opportunity to present “Rumbullion: An Apostrophe” to a larger audience at a more affordable price, so watch this space for further news!

I’m only just back from WHC, as I detoured to Tallahassee after the con, and already I’m gearing up for my next (and final, for the time being) appearance at a convention. I’ve done four already this year, and while I find the con experience rewarding—in some regards—with many notable exceptions—promoting Vermilion has taken a toll on me, emotionally, creatively, and socially.

That said, WHC was a blast. I’m not really a con writeup kind of gal, but I was pleased to see old friends and make new ones. I also picked up a killer haul of books, as you can see. I’ve already read Eutopia and very much enjoyed it; next up I’m reading something I did not acquire at WHC but after that I’ll probably pick up another score. (I picked up The Visible Filth before the con, but got it signed by Mr. Ballingrud, so it counts.)

Next up: DCC! Denver Comic Con is always entertaining for people watching, and my panel list is pretty cool. Come say hi, I’ll sign your copies of Vermilion, and if you felt like picking one up—to have and to hold, or as an extra, in case you need a holiday or birthday present for a friend—the fewer books the Barnes & Noble table sends back, the better I look to that not insubstantial bookselling company, and my publisher. HINT HINT.

Where I’ll definitely be:

Saturday, 10:35-11:25: The Foundations of a Freelance Writing Career. I don’t currently have a description of what exactly this will be, but I assume it’s pretty self-explanatory. With Josh Vogt, Kronda Siebert, Jessica Brawner, Vivian Trask, and Peter J. Wacks.

Saturday, 3:15-4:05: Strong Women in Film and Fiction. I’m moderating this one, so I’m going to try to mix it up a bit from the usual “Let’s all argue about Daenerys Targaryen!” I know the conversation will inevitably turn to Black Widow, which is great since I won’t have seen Age of Ultron by Saturday, and I’m not up on Game of Thrones and the apparent Rape of the Sansine Women that happened yesterday, but I’m going to try to direct the discussion to the issue of well-rounded female characters in fiction and film, and see what happens. With Kristi Helvig, Betsy Dornbusch, Sherry Ficklin, Stant Litore, Amalie Howard.

Saturday, 4:25-5:15: Steampunk in the Past, Present, and Future: Another self-explanatory one. Like Steampunk? Come on then! With Sherry Ficklin, Jessica Brawner, Tyler Jolley, Mario Acevedo, and David Boop.

Sunday, 2:30-3:20: That’s a Laugh! Writing Speculative Genre Humor: What’s it take to bring real humor into fantasy, science fiction, and even horror stories? With Josh Vogt, Jessica Brawner, Betsy Dornbush, Lou Berger, and Jim Butcher. Yes, that Jim Butcher!

Sunday, 4:50-5:40: Writing the Other. i.e. I’ve never been a female dwarven barbarian… so how could I possibly write about one? With Betsy Dornbush, Mario Acevedo, Kronda Siebert, Van Aaron Hughes, and Vivian Trask.

This weekend I’ll be in Atlanta at the World Horror Convention. Vermilion and A Pretty Mouth will both be for sale; Vermilion, at the con bookseller, Eagle Eye Books, and A Pretty Mouth at the Eraserhead/LFP/Deadite Press table. I’ll be a part of the mass signing event on Friday night, dressed as Herbert West: Re-Animator, so if you would like a copy of Vermilion signed in the option of reagent-green pen, please come by. Rufus will be there, as well, and he just loves being petted, I assure you.

Here’s my full schedule:

Friday, 3-4 PM: TERRIFYING TROPES: H.P. Lovecraft in the 21st Century: The Problematic Legacy of the Great Old One of Horror and the Weird – SARNATH

Howard Phillips Lovecraft’s legacy in modern horror fiction has been cemented for more than half a century in his Cthulhu Mythos and exploration of cosmic, existential horror. More recently, the tentacles of Lovecraft’s more troubling legacy – as a voice for some of the last century’s most vile expressions of racism and xenophobia – have found their way into the center of the discussion of his work. Is it possible to untangle the two sides of Lovecraft’s work? Should we?

Moderator: David Nickle. Panelists: Jesse Bullington, Leslie Klinger, Usman T. Malik, Charles Rutledge, Molly Tanzer

Friday, 6-8 PM: MASS SIGNING – THE BARRENS

Saturday, 10 AM: DEAD IN THE MORNING (Room 710 unless you hear otherwise): If you would like to attend this event, I suggest you follow the Facebook Group for announcements. This is an unofficial/guerilla reading featuring myself, J.T. Glover, Selena Chambers, Orrin Grey, and Jesse Bullington. I will be reading from my forthcoming novel, The Pleasure Merchant.

Saturday, 3-4 PM: DEADLY DEFINITIONS: When the Weird Go Pro: Exploring the Parameters and Considering the Directions of a Literary Renaissance – SARNATH

Some would call it a Renaissance. Not your daddy’s Lovecraft mythos pastiche, the Weird in the hands of today’s writers owes as much or more to literary titans such as Melville, Borges, McCarthy and Carter. Others talk about the New Weird and consider it a global movement. What is Weird fiction? Does defining the Weird focus or limit its growth? Why now, why is this literary movement so exciting, and what does the future hold for the Weird?

Moderator: Anya Martin. Panelists: Nathan Ballingrud, Lois Gresh, Scott Nicolay, Molly Tanzer, Michael Wehunt

Saturday, 4-4:30 PM: Reading in INNSMOUTH (Vermilion)

So that’s where I’ll definitely be. I will probably put in an appearance at the Costume Ball (also as Herbert West, natch), and it’s a good bet that I’ll be in the bar at some point. Those of you who have met me in the past, my hair is a giant curly mop now, so don’t look for a Phryne Fisher bob or that bleach blonde buzz cut I was rocking for a while. Those of you who haven’t met me, I’d love for you to say hi!

My cat woke me up at 5 AM this morning, for no reason whatsoever, and while I was feeling pretty groggy and annoyed at him and life in general, because what the hell, man, I clicked over to Twitter… and wow! Maybe my cat knew that I’d discover some really amazing news!

I couldn’t be more excited to tell you that Vermilion was reviewed on NPR. And holy mackerel, what a review it is:

Lou is one of the most delightful and charismatic fictional creations in recent memory. Her compelling blend of world-weary wryness and wide-eyed vulnerability makes for some firecracker dialogue, but it also reflects Tanzer’s kaleidoscopic view of the Old West, a place that’s far more dazzling and diverse than most history books have led us to believe. There’s lace with this leather, and there’s grace with this grit. … Vermilion is a unique, hearty, thought-provoking romp that rewrites history with a vivacious flourish.

I am truly humbled and excited by the enthusiasm Vermilion has been garnering from critics and readers. On one hand, it’s a bit bizarre, seeing how quickly people are reading it and writing about it—I’m experiencing a sort of Thanksgiving Dinner syndrome. The dang thing took me 5 years to write, and people are just tearing ass through it! But of course, on the other hand, I wrote it because I wanted to write something that would give people joy, so achieving that is wonderful and cathartic. The excitement is making me excited about the book all over again, and that feels amazing.

If you’ve yet to pick up Vermilion, you can now do so via Weightless Books, either in .mobi (Kindle), .epub (Nook, iPads, maybe Kobo?) and .pdf (???). If you prefer physical books, as Vermilion is distributed and returnable it would be delightful if you requested your local Barnes & Noble or indie bookstore get in, and bought it that way. Libraries can also get it—I know a few have done so already, but the more the merrier! You can also enter the Goodreads Giveaway; Word Horde is giving away three copies.

Finally, if you’ve enjoyed Vermilion, please consider reviewing it on Goodreads or on Amazon, and tell your friends!

It’s been a wild week. Vermilion was reviewed nicely on Fantasy Literature, where they also ran an interview with me (comment and you might win a free copy!). Then Chuck Wendig gave me the chance to write about Five Things I Learned While Writing Vermilion over at his blog, Terrible Minds. People seemed to be enjoying it, which is lovely! Oh, and my publisher kindly set up a Goodreads Giveaway for the book—sign up before May 1 and you might win one of 3 copies!

Then yesterday, I got word that Vermilion not only has a *starred* review in Library Journal, but it’s also their SF/F Debut of the Month!

That’s two stars for Vermilion, and I gotta say, it feels wonderful to know that reviewers are enjoying what I’ve done. I’m sure the spectacular cover by Dalton Rose, designed by Osiel Gomez, isn’t hurting the book’s chances of getting noticed. And early Goodreads and Amazon reviews indicate that readers are also enjoying the book, which feels even better!

Anyways, I believe Vermilion will be in the Dealer Room at HorrorFest, so if you’re there this weekend, you could procure your very own copy. And if you’d like to say hi, here’s where I’ll be:

Saturday, April 18th

10 AM: Signing with Carrie Vaughn and Mario Acevedo (Extras Room?)

2 PM: Rebooting Horror Franchies: Is it Possible to Reboot a Horror Franchise? Which Would You Like To See Re-Imagined? (Panels Room)

4 PM: Best Moments in Horror Books and Films: What Are the Moments from Horror Books and Films that Stayed With You? (Panels Room)

Sunday, April 19th

11 AM: Signing with Mario Acevedo (Also in “Extras Room”)

1 PM: From Page to Screen: What Horror Stories Would You Like To See Adapted? (Panels Room)

3 PM: Plumbing the Darkness: Why Do We Write Horror? (Panels Room)

Tax Day (in the U.S.) seems like the ideal release date for my novel about… death. I mean, I hear both are the only things we can be certain of, right?

Anyways, Vermilion is officially… official. It’s available on B&N.com, Amazon.com, and maybe even some stores (though the chances of you finding one in your favorite local bookseller are increased if you ask nicely!).

I’m excited. I feel kind of weird, actually… I began this book so long ago, and knowing it’s out there in the world is wonderful. But it’s also a sad moment for me. My father passed away when Vermilion was just a draft, before I even had an agent, before a single editor had looked at the manuscript. But my father believed in my writing, and was always so proud of my successes; I know one of his biggest regrets was that he would not live to see it published. I suppose these are weird, macabre thoughts to be having on the official launch date of my first novel, but at the same time, while I would not claim Vermilion is autobiographical, my grief helped me write about grief, and my loss helped me write about loss, and those are… I think writers call them “motifs” in the novel. Fancy.

But, grief is but one aspect of Vermilion. When I look out my window, I can see the Rocky Mountains, whose majestic beauty I tried to do justice to in the novel. The sight of them chills and enthralls me every single day, even though I’ve lived at their base for years now. The aspens are still ghostly and bare, as they are in Vermilion, but they’re putting out the weird little vegetative caterpillars that announce their imminent leaves. And this weekend I’ll be celebrating the release at StarFest/HorrorFest down in Denver, which should be a hoot—I’ll see people like Carrie Vaughn, Stephen Graham Jones, Mario Acevedo, and other authors whose determination and spirit inspired me to keep going throughout the process of writing and editing and shopping and whatever else.

Before I go, I’d like to thank again those whom I mentioned in Vermilion’s acknowledgements… but I’d also like to thank my readers. For those of you who pre-ordered, thank you very much for your support. For those of you who have ordered via an online retailer, I am really and truly forever grateful. Anyone who’s put it on their Goodreads list, entered the giveaway, or is just planning on reading it at some point when they have time/space/funds/whatever, your enthusiasm is much appreciated.

Okay… I’m off. But, thank you again, everyone! And yay, book release day!

It’s here!

I guess this means I can’t do another revision.

The cover is deliciously matte and silky smooth, the paper feels good on the fingers. It’s nice and heavy. It is beautiful and my name is on the cover because I wrote it. So basically what I’m trying to say is… it’s my first novel!

The early reviews are good. I’ve noted the (starred, ahem) Publishers Weekly review, and The Monitor’s high praise. Another site, Crows n’Bones, said:

“Every time I thought I had the book pegged as a specific thing, it would swerve into some wholly new and entertaining territory: Chinese mythology- flavoured occult yarn, picaresque western, opulent vampire chronicle, etc., etc. There are dragon fossils, inept monster slayers, pansexual brothels, snake oil salesmen in possession of the elixir of life, jackalopes, tobacco- obsessed talking bears and a general penchant for gender- bending. I totally approve.”

My Bookish Ways liked it as well, and their thoughtful review made me smile, especially this part:

Ultimately Vermilion calls to mind Joe Lansdale’s The Magic Wagon and Ricky Lau’s slapstick horror film Mr. Vampire along with Cherie Priest’s recent works. Fans of grittier Steampunk novels, urban fantasy, and weird westerns will likely find themselves very comfortable here and enjoy the ride.

The Magic Wagon was one of the best novels I read when researching the genre of the weird western, so I’m very excited to have Vermilion compared to such a fantastic expression of the genre!

Anyways, Vermilion is a book, and it’s beautiful, and I’m very, very happy.

Critically, the book is doing well, which is very exciting. That said, if you’ve read it and liked it, or if you want to read it, you can help Vermilion do well commercially, too! Ask your local independent booksellers to carry it (heck, tell your local Barnes & Noble about it, and while you’re being a chum, maybe mention to any bookstore you talk to that yes, the book is distributed/returnable by Ingram). Tell your local library about it, add it to your to-read pile on Goodreads (and any other lists you care to), tell your friends.

Anyways! Ebooks have gone out to pre-orderers, and physical copies should be arriving soon. I hope you all enjoy it! And stay tuned for more news…

Behold! 

Yes, Vermilion is very nearly out. I’m so excited! People responded very well to the reading I did at AnomalyCon last weekend, which was lovely. Thank you to all who attended, and as for the two attendees who walked away with ARCs, I hope you enjoy the full story!

So, yeah! Keep your eyes peeled for copies in the wild over the next few weeks (and I’d be very grateful if you would ask for the book and Word Horde titles by name at your favorite local bookseller or library if you don’t see it on the shelf). The book is also imminently on Amazon and other online retailers, if you don’t have a favorite local spot to shop.

Inevitably I’m having a few first-novel jitters, but I’m cautiously optimistic about Vermilion. After all, two of my favorite authors had very nice things to say about the novel, which is lovely:

“Vermillion is fresh and strange—a dark and sparkling story of magic, monsters, and mystery in the Old Weird West. Gloriously weird and heartfelt, it’s a credit to the genre from start to finish.”

—Cherie Priest, Award-Winning Author of Boneshaker and Maplecroft

Cherie is an amazing writer, and an amazing person, too! Maplecroft was one of the best books I read last year. I’m beyond tickled she enjoyed Vermilion.

As if that wasn’t exciting enough, another of my must-read authors also found the book to his taste…

“Tanzer’s debut novel is extraordinary, portraying a world that is engagingly curious and curiously engaging. One doesn’t realise how much one’s life has been missing a story about a Chinese/English buster of violent ghosts out in the wilder end of the Wild West until one reads this. Plus, talking bears.”

—Jonathan L. Howard, author of the Johannes Cabal novels and the forthcoming Carter & Lovecraft 

Any regular reader of my blog knows how much I admire Jonathan Howard’s work, so it means an awful lot to me that he enjoyed the book.

Finally, The Monitor reviewed Vermilion a few weeks ago, for their Top Shelf column, and had exceedingly nice things to say about it:

“Tanzer’s writing, as always, is a delightful meld of period-authentic language and modern sensibilities. Snappy, often hilarious dialogue is embedded in a deftly written narrative thread that gives plenty of room for characters to breathe and evolve. The world-building is fantastic and leaves many opportunities for follow-ups: I for one really hope this is the beginning of a series, as I want desperately to see Lou — an amazingly round and compelling protagonist — back in San Francisco, doing what she does best.

Vermilion abounds with relatable, human characters of various genders and sexual orientations. LGBTQ issues are folded into the supernatural plot with respect and care, focusing on the emotional and interpersonal repercussions in a refreshingly gentle but frank manner.

An amazing debut novel from an author to be reckoned with, Vermilion is most definitely Top Shelf.”

Top Shelf? More like Top That!

You can read the full review at the above link, which sums up the novel better than I’ve ever managed—so, if you still have questions about the book, that’s a great place to check it out!

You can still order Vermilion directly from Word Horde, but as I said, it should be showing up elsewhere very soon. Oh, and as for those of you who pre-ordered, thank you! I confess my signature is awful, so I tried to spice up your bookplates a little. I hope you enjoy!