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This month I read Roald Dahl’s Going Solo, his sort-of followup to Boy:

As someone who writes Lovecraftian horror, I am familiar with the go-to excuse when a modern person wants to divert criticism away from his or her literary heroes: “He was a man of his time.” This doesn’t work well with Lovecraft, who was far more racist than his colleagues… but I’m also uncomfortable applying it to Dahl, though he might actually fit that description. There’s simply a weirdness in being a white person saying, “he was just a man of his time!” about another white person who obvously takes pleasure in describing his boy’s “superb black body… literally dripping with sweat” and his “beautiful pure white absolutely even teeth.” It excuses attitudes or behaviors that were never excusable, and so I don’t feel I can just leave off discussing this tension in Going Solo by typing “Dahl was a man of his time” and washing my hands of the matter.

Fun times! TL;DR summary: Going Solo was super-good, but also very uncomfortable reading at times. Thanks again to Jared and Anne at Pornokitch for hosting my musings!

 

2013 was a strange year. I didn’t expect to have a book come out; instead, after being contacted by Egaeus Press, I wrote a weighty novella (“Rumbullion”) and subsequently held Rumbullion and Other Liminal Libations in my hands this last October.

I thought I hadn’t published much, but looking back over this year, I had a story in the Magazine of Bizarro Fiction, a porny piece in Geek Love, a great, raunchy anthology that seemed to go largely unnoticed for various unfortunate/silly reasons, a zombie story in Zombies: Shambling Through the Ages, a mummy story in the beautiful anthology The Book of the Dead, and a tale of Chinese vampires and illegal betting in Schemers, which is (apparently) out. Also, “Herbert West in Love” was reprinted in the last ever volume of Icarus. I already have a few pieces scheduled to come out next year, so all in all, I’m pleased.

I also began and have subsequently written a substantial chunk of a new novel, something I have not done since 2010. Over the last three years I wrote and published plenty of short stories, and two novellas around 45k (“A Pretty Mouth” in A Pretty Mouth, and “Rumbullion” in Rumbullion). But the last time I set out to write anything weightier was a long time ago. I’m very happy with it so far, and hope to continue to be so…

In terms of things I read, which is also something (writerly) I finally read Joe Abercrombie’s The First Law trilogy, and the subsequent volumes. Damn. So good! I think The Heroes was my favorite, but it’s difficult to pick. The First Law books were so smartly constructed, they really blew me away. In terms of other books I enjoyed, standouts ambling through a lot of Wodehouse, Astoria by S.P. Miskowski, both books out from Lemony Snicket’s latest series All The Wrong Questions, Diary of a Young Girl (which I’d never read), Showdown in Oakland, and the comics from Avatar: The Last Airbender, which were by and large better-paced and written than most of the third season. Oh, and  a friend got me American-Born Chinese by the same author (Gene Luen Yang) for Christmas, I devoured that already. It’s hard to remember everything I read… I need to get better about keeping track of such things. But I won’t.

Overall, I’d have to say that 2013 was a good year!

In England, I had the most perfect scones. Stop the presses, I know—great scones? In England? Do tell. But really, as a vegan, finding real vegan scones anywhere can be challenging, as typically they are just full of butter and cream. Thankfully, there are vegan versions of butter and cream readily available to the home baker!

Anyways, these aforementioned perfect scones were at a little cafe called Infinity (they also have a health food store). Moist, dense enough that you could brain an ox with one, not too sweet, with plenty of rich sultanas (American translation: golden raisins). They were so, so good. Thus, upon my return, I 2013-11-22 15.19.02vowed to recreate these perfect scones, as Americans tend to think scones are muffin tops. They are not. Real scones are pastry, which, ugh, I know. Contemplating making pastry always gives me Olympic Gymnast Face, but scones are actually pretty easy. Trust me, if I can make these, you can.

My recipe is adapted from this one here, and yes, you need a kitchen scale. Also, instead of sultanas, because American raisins are often bizarrely enormous, I sought out currants. They’re so tiny, they distribute really well.

I promise, pastry-fearing people: you will find yourself eating marvelous scones in no time if you just take a deep breath and plunge ahead with confidence. Go for it! Serve with this butter because damn it’s good. Also jam.

Perfect Vegan Currant Scones

(makes 8 scones)

Ingredients:

300g of self-raising flour OR 300g of AP flour with 1 tsp baking powder and 1/2 tsp salt mixed in (but still use the baking powder and salt listed below)

50g whole wheat flour

A pinch of salt

One tsp. of baking powder

85g of vegan margarine such as Earth Balance

3 Tbs. of caster sugar

One tsp. of vanilla extract

A good squeeze of lemon juice

1 tsp. apple cider vinegar

175ml of soy(a) creamer. Not soy(a) milk.

85g of dried currants

1 lemon’s worth of grated zest

 

Make the Scones:

Pre-heat your oven to 425 degrees F.

In a measuring cup, measure out your soy creamer, then add your lemon juice, ACV, vanilla extract, and lemon zest. Mix well, then set aside.

Sift your flours, baking powder, sugar, and salt into a large bowl. Rub in the Earth Balance until the mixture looks crumbly. Don’t overwork the dough, which means work quickly so your margarine doesn’t melt. Mix in currants, then form a well in the center of your crumbly flour mixture, then add your wet ingredients. Mix by hand in the bowl, quickly, until it keeps together.

Turn out your dough onto a lightly floured board and work it lightly it until everything is mixed in. Then pat it into a disk, about 1 inch thick, or slightly thicker.

Use a biscuit cutter and into eight thick rounds. You’ll have to cut them, put on a baking sheet, reform the dough, and cut again a few times. Bake for 12-17 minutes, but check the bottoms at twelve. When they’re golden brown on the bottom, they’re done!

My two weeks in England were both exciting and exhausting. I think I’m over the worst of the jet lag and thus reality seems a bit clearer.

my mom stands on london bridge, across from tower bridge.

my mom stands on london bridge, across from tower bridge.

My first week abroad I spent with my mom, in London, doing like… everything touristy in London. It was wonderful. I hadn’t done a lot of the big deal, famous stuff to do the last time I was in town, being on more of a budget. But this time, mom and I decided to do the whole London Pass thing. Man, we used it! Some, but not all of our adventures involved the Tower of London, Westminster Abbey, the Aspley House, All Hallows at the Tower, The Soanes and British Museums (I went twice to the British—once with mom, and once during my last day in England, as there was an amazing exhibition of shunga that’s well worth the £7, imo), Windsor Castle and Eton, the Royal Mews… awesome. I have some pictures on Facebook, but there are far too many to put here. Also I’m not much of a photographer.

We also did some fun shopping around town, including a semi-traumatizing trip to Harrod’s (so busy! so snooty!) and a lovely walk around the Borough Market, which was just as fun as I remembered, having done that with John when we went six years ago.

book of the dead launchMy birthday occurred during the trip, and that night I got to do something very special: attend the book release party for The Book of the Dead, the anthology of mummy stories where my piece, “Mysterium Tremendum” appears alongside work by such authors as Will Hill, Den Patrick, Louis Greenberg, David Thomas Moore, Glen Mehn, and Jenni Hill—all of whom I met that night (and was lucky enough to spend more time with at the con down in Brighton). They are all extremely awesomely nice, as are Jared Shurin, the project’s editor, and Anne Perry, his partner and editor in her own right. And I’m sure the other contributors are fabulous too; having briefly met Gail Carriger once, and knowing Jesse Bullington well, it seems more than likely. Also: I wore a ridiculous dress, which you can almost see in this picture—sparkly and one-shouldered! I know, right? I figure turning 32 means I should spend more time wearing prom dresses intended for 16 year olds, not less. Anyways, pick up your copy of The Book of the Dead in ebook or paperback at Amazon or Spacewitch! It’s worth it! You’re worth it. 

553143_10201372579891100_274126655_nThe next day was equally exciting, as I got to see my second book! Yes, I held Rumbullion and Other Liminal Libations in my hands for the first time. That was a serious thrill. This book… the texture of it! It feels like parchment under the fingers, the black letters shine like wet ink, the paper is creamy and smooth. And I like to think what’s inside matches the outside. Um, meaning the prose is pretty, too. Anyways! You can order your copies either via Amazon or through Egaeus Press. (Also, check out our bordello-like hotel room in the background.)

I confess that after all the excitement of London, I was a bit apprehensive about heading to World Fantasy Convention in Brighton. I’d met a few attendees at the release of The Book of the Dead, of course, and knew others from the internet, but it was, on the whole, an intimidating prospect.

I needn’t have worried. Everyone I met was completely lovely. Things started off well when I was both delighted and terrified upon seeing Jonathan Howard had come to my reading (Jonathan is the author of the Johannes Cabal books which I adore). For some reason I was already feeling like I might faint… that didn’t help. So weird—I do readings all the time, and usually I’m totally cool about them, but that one threw me for a loop. Thankfully, everyone who attended was willing to make eye contact/talk to me after I gave what was undoubtedly the worst reading of my entire career—including Damien Walter, the chap who gave me that review in The Guardian that I squeed all over the place about earlier this year.

After I regained most of my color, Damien was kind enough to enquire if I wanted/needed a drink and dinner. Which I did. This chirked me up immensely, and began what proved to be extremely fun weekend at a con where I got to (among other things) discuss whiskey and matters sartorial with Mark Newton, eat the worst dinner I’ve ever eaten seated between Glen Mehn and David Moore, meet Nathan Long, and… uh fangirl out over Joe Abercrombie this one time. These are just a few highlights among many, many exciting moments.

Sometimes… to be honest, many cons have the effect on me where during and afterwards I want to /ragequit writing. Forever. This WFC, however, left me feeling enthusiastic about being part of a vibrant community of interesting people whom I like and respect. I won’t name everyone here who contributed to this sense of well-being, as I’d surely leave out someone, but I hope you know who you are. Many are already named above. Seriously though, damn. I won’t list all my theories as to why this was a better con for me. Suffice it to say that it was, and I feel like a changed, happier person in the wake of WFC ’13.

Oh! Oh! And if all that wasn’t enough, I totally took myself to Perfect Nonsense, the Jeeves and Wooster play now at The Duke of York’s, in London, on my last night in town. It ruled! I mean, there was little dramatic tension, as anyone who knows their Jeeves knows the storyline from The Code of the Woosters, but the clever staging of the production makes it more than worthwhile.

As I said, whew! 

Now I’m back. And writing.

As I am a Denver-area spec fic writer, I’ll be at MileHiCon this weekend! Huzzah.

Please do say hello if you see me  in the hallways. I’ll also be in Mesa Verde B, Saturday at 11 AM in on the panel “Strong Women in Fiction and Film.” (Of course, right?)

I also have a reading on Sunday. I’ll be reading with Carrie Vaughn, who is awesome, and we’ll be in Mesa Verde C at 1 PM. Likely I will read something from my imminently pre-orderable Rumbullion and other Liminal Libations and/or my story in the currently pre-orderable The Book of the Dead. Oh, and I’ll also be doing that Autograph Alley thing, so if you have something you want me to sign, like my book, or someone else’s book, then come on by! I’ll have my own pen, even. Um, probably.

See you there! Oh, and my hair is long(er) now, so don’t look for the fuzzhead anymore.

A few weeks ago, Jesse and I climbed Quandary Peak, one of the 14ers closer to Boulder. I never put the pictures up as Quandary was a break from all the increasingly frantic getting together of my collection. But as of yesterday Rumbullion is off to my editor, and that means my brain can rest a little, and blogging can happen! Yay!

Quandary is one of those 14ers Colorado people tell visiting sea-level friends is totally easy. We ran into a few of those on the trail—they all made it! But were swearing a lot by the end. By contrast, a seasoned Colorado badass parked it at a false summit and waited for his family to finish up. So, no yeah, no predicting. Anyways, because of Quandary’s reputation, this was at trailhead:

no easy fourteeners!

It’s true! Both the “easy” part and the “there are no shortcuts.”

Anyways, before we even got to trailhead, the adventure began. It was a glorious morning, and by morning I mean middle of the night practically. 14ers are a popular passtime in the summer, so we met up at 4 AM on a Tuesday to make tracks for the mountain. Woof. (And we weren’t the first cars there.) It was almost worth it, though, as there was a beautiful full moon up. Once the sky got a bit lighter, it was even prettier:

full moon dawn

Quandary, unlike some 14ers, starts below treeline. Thus you get a nice, cool, shady ascent at first. Then comes some serious ascending, made less arduous by awesome views into some old mines (Quandary is “close” to Bross), dams, and wildernesses.

Talus begins

Soon enough, however, you get into… the talus.

2013-07-23 09.43.46

Quandary is like… all talus, all the time. Frankly, it kind of sucks. My feet were more sore after this 7ish mile hike than they’ve been, in friggin Vibrams, after a 15 miler. Woof, with knobs on. Let’s say woof with double knobs on actually–see that incline? Yeah, that’s not the summit above me. Not even close. Quandary has nearly as many false summits as it does talus.

Quandary is also infested with goats:

bottleneck goat

 

We kept seeing big chunks of shed hair everywhere, and wondering if someone had brought up a pack of huskies or something. Nope, goats. Lots of them. Mean ones, too. This fellow in particular was a prime jerk, literally (in the pre-Google sense) running up on us to stand smack dab in the middle of the trail and eat grass for 20 minutes. They tell dudes—and ladies, I guess—not to pee on the side of trails for exactly this reason: pee is full of salt, goats like salt, turning the sides of trails into a big salt lick attracts ornery old fuckers like this dude. He was still feasting when one foolish hiker who had bottlenecked behind us tried to scare him, waving his arms and shouting, “Go on, goat, git!” The goat promptly became angry, lowered his head, and began to paw the earth. Bad news! People have died from mountain goat gorings, you know. Anyways, Jesse redirected the goat with the use of his magic staff, carved for him by our friend David Ardanuy. All were impressed. There was applause! Jesse got to be King of the Goats for the day.

Jesse and goat

He had me take probably 15 pictures until he was satisfied by this one.

All hardships aside, if you keep your spirits up, Quandary’s summit is actually really awesome. You reach almost-the-top after some brutal talus-strewn switchbacking, and then you traverse along to the spike. I may have gotten a bit of “summit fever” and left Jesse behind at that point, making a break for the summit at full tilt, hooting gleefully, as Jesse hung back, “playing it safe” and scolding me like a chicken about altitude sickness and whatever and blah blah blah.

But eventually, he caught up!

summit

My absolute favorite thing about 14er culture is the taking—and leaving—of signs proclaiming You Made It!! There were maybe ten under a rock for us to choose from. More people came up behind us, carrying their own and leaving them for others. People are thrilled to take your picture with the signs. It’s such a great feeling of “we’re all in this together!” as you all sit and rest at the summit. You see people who passed you on the way up, and they wave and smile; you cheer on all the people you passed. When we saw the aforementioned cheerful-but-skeptical out of towners who had been convinced Quandary was “easy” we huzzahed them and took their pictures. It’s awesome.

And then… it’s time go down.

get down

Double woof with double knobs on. See that road at the bottom? Yeah. Even so… man, I love 14ering!

Next time: pictures from my recent trip to San Francisco!

Tuesday, I was very pleased to hear that A Pretty Mouth has made it on to the final ballot for the Wonderland Book Award! I’m up against some stiff competition, including my own publisher Cameron Pierce’s collection, and another put out by my cover designer, Matthew Revert. Whew! It’s great: I’ll be happy pretty much no matter who wins!

I know it’s the standard line, but with this Wonderland Book Award nod and with the earlier news of my British Fantasy Award nomination, it really is an honor just to be on the list. Really, I can’t express how thrilled I am that A Pretty Mouth has received so much positive attention. Thank you to everyone who voted for me for both awards; your enthusiasm is appreciated!

That said, A Pretty Mouth could use some fresh reviews on Amazon or Goodreads. If you’ve read it, I’d love if you could take the time to say something about it, whether you enjoyed it, were meh on it, or even hated it. (I’m a writer—I thrive on any kind of attention.) I’d especially like to have a few more review over on Amazon.co.uk. Thanks so much!

It’s hot. Really hot. A week ago today, I got back from a two-week stay in Florida, and I don’t think it was this hot down South. More humid, sure, and therefore grosser … but ugh, it’s hot.

I’ve been feeling a little drained, perhaps due to the heat, and likely in part due to some sort of mystery-problem with my right hand that has me wearing a brace for a few weeks. And yet, I have a lot of things to be excited about/working on, so I type, with this brace, an update to this blog:

I have a new story coming out! The fine people at Pornokitsch/Jurassic London are putting out a mummies anthology, called The Book of the Dead. It sounds awesome!

The Book of the Dead will be published in collaboration with the Egypt Exploration Society, the UK’s oldest independent funder of archaeological fieldwork and research in Egypt, dedicated to the promotion and understanding of ancient Egyptian history and culture.

Full ToC here. My story is called “Mysterium Tremendum” and is sort-of about Tesla, maybe, and definitely about why you shouldn’t trust cute boys.

Next, my forthcoming Egaeus Press collection doesn’t have a title yet, but I’m hard at work on the all-new novella. Here’s the unofficial ToC for that, in no particular order:

Herbert West in Love
Go, Go, Go, Said the Byakhee
In Sheep’s Clothing
Damnatio Memoriae
Tubby McMungus, Fat From Fungus
The Middle Passage (some all-new cosmic horror!)
How John Wilmot Contracted Syphilis
The Poison-Well
Rhum Deal (the aforementioned new novella!)

Very exciting! I wanted this collection to be a best-of-my-best, and so far I’m more than happy with how it’s shaping up. The new novella is causing me to tear my hair out at the moment, but that’s okay. I think it’ll all work out. Any troubles I’m having I lay at the feet of Nick Mamatas, who I heard one too many times mocking stories where “people do too much with their eyes, like raising their eyebrow while looking at someone over a glass of wine.” So here I am, writing about an 18th century dinner party full of fops, avoiding that. But how does one write about white-people angst without eyebrow-raising? I guess you’ll have to read it to find out.

Also, I don’t think I mentioned it here, but I was nominated for the British Fantasy Award, in the Best Newcomer Category (the Sydney J. Bounds Award), for A Pretty Mouth. Holy shit! The fact that I spaced on blogging has everything to do with the nomination coming two days before my Florida trip, because I am so stoked to be nominated for this. I decided to make good on that membership I bought to WFC in Brighton and go, because damn. So, see you in October, Brighton!

Oh, and speaking of A Pretty Mouth, there might be a hardcover edition at some point. Woah!

Years ago at this point, Jesse Bullington and I co-wrote a column called Films of High Adventure that ran on a semi-regular basis. For those of you who never read it, but are for some reason reading now, the deal was basically this: I never really watched most of the big-budget cheesy fantasy/action/scifi/whatever movies that came out back when I was a wee Tanz, only developing a love of such things in later life. Jesse, who’s watched like every movie ever, plus used to manage a video store, made suggestions and watched them along with me. Then we’d write up some Stalter and Waldorf-style commentary.  Anyways, we had to drop the column due to being pretty busy, but when a friend said she wanted a “full report” on Masters of the Universe (she kindly let me borrow her DVD—see below) I figured this would be a fun way of providing her with such. Here’s our old intro:

The Film: Masters of the Universe (1987)

WHOSE RESPONSIBLE THIS??? A Golan-Globus production (The American Ninja Series), because of course it is. Direction by Gary Goddard, who never made another feature length movie but went on to direct numerous theme park attractions, including Star Trek: The Experience and Jurassic Park: The Ride. Written by David Odell, whose experience in writing dialogue for lifeless puppets in The Dark Crystal and The Muppet Show served him well when it came time to work with Dolph Lundgren. Shameless Star Wars rip-off soundtrack by Bill Conti. Acting, such as it is, by Dolph (chemical engineering Masters grad, Olympian at the 96’ Summer Games, and recipient of a Fullbright scholarship to study at MIT … and star of the first, fifth, and sixth Universal Soldier movies), Frank Langella (the world’s sexiest Dracula, at least until Gary Oldman came along), Meg Foster (They Live, Hera from Hercules and Xena), Billy Barty (Frequent Films of High Adventure alum; see our columns on Legend and Willow), Robert Duncan McNeill (uh, a leading role on Star Trek: Voyager? Molly adds: That… that was Tom Paris? WTF?!), James Tolkan (“hey, it’s the bald principal from Back to the Future!”), Chelsea Field (Dust Devil, The Birds II: Land’s End, and wife of Scott Bakula), and Courtney Cox (something called Cougar Town? Ouch). Aside from a bunch of extras, there are maybe five other people in the whole movie with speaking lines—one of said extras won a contest toymaker Mattel held to be featured in the film, and this lucky lad, Richard Szponder, got to play the stirring role of “Pigboy.”

Quote: “Where are your friends now? Tell me about the loneliness of good, He-Man—is it equal to the loneliness of evil?”

Alternate quote: “You mean this used to be an animal…?”

First viewing by Jesse: Right after the video release arrived at the local Uni-Mart gas station from which we rented most of our movies when I was a kid. So probably a few years after it actually came out, which would put me at maybe seven or eight years old.

First viewing by Molly: A few weeks ago. Jesse and I had wanted to do Masters of the Universe for Films of High Adventure back when we were doing the column regularly, but the local video store doesn’t have a copy. Go figure! Anywho, somehow this became a topic of conversation at StarFest, a local Denver con, whilst hanging out with Stephen Graham Jones and Carrie Vaughn, both of whom were appalled I’d never seen it before (specifically because of the Teela-thinks-meat-is-gross moment I quoted above … they know me). Carrie very generously volunteered to loan me her personal copy, much to my husband John’s extreme pleasure, so we watched it on his birthday weekend.

Most recent viewing by both: A few weeks ago

Impact on Jesse’s childhood development: Moderately high, but for all the wrong reasons—this turkey was the first time I remember experiencing deep, palpable disappointment from a film. I was young, stupid, and loved all things He-man, so a live-action movie couldn’t possibly let me down, could it? Turns out, it could and it did. I remember that right up until the end I kept expecting Battlecat to show up, or for Dolph to don a pink tunic and turn into Prince Adam, or even just have Teela pop her collar and/or take off her pants. Not even one maniacal Skeletor cackle? Weaaaak.

Impact on Molly’s childhood development: None. I totally played with He-Man toys (still have a scar from where one pinched me badly), loved the show. Loved She-Ra too, of course. I wasn’t aware there was a feature film until I think John told me about it.

Random youtube clip that hasn’t been taken down for copyright infringement:

Jesse’s thoughts prior to re-watching: Weaaaak. I would estimate that between my first childhood viewings and the modern day, I’ve watched previous Films of High Adventure entries Conan the Barbarian, The Beastmaster, and Yor: The Hunter from the Future a dozen times each, easy. Masters of the Universe I never rewatched, not even when it came on tv—some wounds never heal. I unsuccessfully petitioned that instead of watching it, we instead screen some episodes of the (total classic) cartoon, or even just watch the ten-hour version of this:

Did Molly listen? No she did not.

Molly’s thoughts prior to watching: I was super-stoked, no lie. I … kind of love He-Man. I spent some quality time revisiting the cartoon a year or so ago, and while I had to stop watching due to how much Orko is crammed into every 22 minutes (what is up with that? NO ONE EVER LIKED ORKO), some of the earlier episodes are really quite good. “The Creeping Horak” in particular was kind of … cosmically horrible, if I may? Also: Teela! Also also: Skeletor and Evil-Lynn’s kinky, weird-ass relationship. Also also also: Skeletor and He-Man’s kinky, weird-ass relationship. Okay … so the obvious fight between those two over who is the leather-daddy and who is the leather-boy is pretty much the best thing about watching the show as an adult.

So obviously when I heard there was no Orko in the film, plus Teela was a vegetarian, kind of, and also Frank Langella was playing Skeletor, despite everyone in the world save John, Steven, and Carrie telling me the film sucked, there was no turning back.

Jesse’s thoughts post-viewing: It’s pretty much as stinky as I remembered, though as grown-up I’m (somewhat) more able to articulate my displeasure then I was as a tot. I’m also better equipped to parse just why it’s so bad, which doesn’t really redeem the film, but does make me even more depressed about the fan-fucking-tastic He-Man movie that never was. So, yay for adulthood?

As a kid, I couldn’t figure out why they weren’t on Eternia for most of the film, where all the cool monsters were, why did the costumes suck, etc. Looking back on the project, it seems likely a one-two punch of frugality and copyright law. A movie that largely takes place on California backlots with stupid American teenagers running around is easier on the investors than a movie set on an alien planet populated by freaky creatures. Apparently for the film they secured the rights to the toyline, but not to the cartoon series, so it was probably also easier to just invent new characters and storylines then to, you know, adapt the source material that everyone loved. Like I said, understanding why it burns you like an eyeful of Skeletor’s crazyjuice doesn’t do much to mitigate the pain, but whatever.

Yet for all that, watching it with little hope of actually liking it did let me appreciate some of the subtle nuances I never appreciated as a kid. For example, Evil-Lyn, Teela, and Man-at-Arms were perfectly cast, even if there costumes were lacking. And Skeletor’s gold lamé Godmode outfit at the end does answer the age old question of, “What if the What if comic series had an issue titled “What if … Galactus Ran Studio 54?”


Frank Langella was certainly game, and contrary to the above image, kinda took Skeletor in a slightly less-campy direction. That said, I generally prefer my Skeletor like I prefer my friendly neighborhood street musicians: coked to the gills, shuddering with deranged laughter, and just plain weird. But Langella’s take on the villain has more, uh, gravitas, and points for trying, I guess. By the Sorceress’ ridiculous bird suit, did I really type that? I did. That’s what happens when you look for a silver lining on this brown cloud.

Here’s the thing: He-man, being a toyline that grew into a narrative instead of the other way around, is totally fucking insane. Everyone in the show is either howling mad or balls-dumb, and the plot follows suit. It’s just a bazonkers storyline, and it needs to be in order to provide the joy one feels when Prince Adam explains his backstory:

What kind of powers does He-man possess? Oh, that’s right, fabulous secret powers, with that allusion to the world’s dumbest origin story delivered with an animated smirk that Dolph Lundgren could only dream of pulling off. Rather than embracing the random craziness of the toyline and the cartoon, however, the filmmakers decided to make things comparatively coherent, which results in a cinematic disaster that is nowhere near as campy as it needs to be. Which is saying something, considering that camp is about all that the movie has going for it. Alas, I say, alas and alack.

Molly’s thoughts post-viewing: Everyone lies! Well, everyone except my husband, Stephen Graham Jones, and Carrie Vaughn, I guess. Masters of the Universe is totally good. It’s as if Warlock and Beastmaster had a moviekid, and that kid was a Mattel tie-in film ripping off Star Wars. What’s not to like about that?

I mean, there is certainly enough about MotU to incur frequent skeptical head-tilts, especially in re: the plot, the quizzical lack of Prince Adam, Battle Cat, or SNNNNAKE MOUNTAIN! (sorry, but you gotta always scream it like Skeletor), the whole conceit that 80s teenagers would assume any old piece of equipment with lights on it was a “Japanese synthesizer,” the ending, Billy Barty playing an Orko substitute somehow just as annoying as Orko … but I dunno. Even with all that, it was awesome. Sure, the writing is leaden, Dolph is terrible, and it makes no sense overall, but it’s great in a super-80s kind of way. I mean, come on! That scene where Teela shoots stuff and turns around, grinning like it’s Christmas on Eternia and she just got a new jumpsuit, saying “Woman at arms!”? Has there ever been a fluffier “Take that, patriarchy!” moment in 80s cinema? I challenge you to think of one.

Additionally, while they abandoned most if not all of the stuff I love about He-Man (what can I say, I can’t get enough of that one recycled animation of He-Man throwing a big rock at stuff, and there is ZERO big-rock-throwing action in MotU!), they kept the central weirdness of the love triangle between Evil-Lyn, He-Man, and Skeletor, and they should be commended for that. I mean, even calling it a love triangle is too simple. While Wikipedia, source of all unbiased knowledge, lists Evil-Lyn as Skeletor’s “significant other” there is so much more to those two than that, right? They’re certainly a couple, but more of a “She makes him tea and listens to his feelings and also on slow Saturday nights she lets him read her his bromance fanfics about how on “Alternate Eternia,” Skeletor and He-Man are on the same side and also sometimes are girls and sometimes they also invite over Prince Adam, that goody two-shoes, to have adventures” kind of couple than … anything else. AND FOR ONCE THIS ISN’T JUST ME, OKAY? The movie pretty much proves it, right? I mean, what exactly are Evil-Lyn and Skeletor doing in that scene where he’s staring at her while she kneels in front of him? Furthermore, why else would He-Man shout at Skeletor that it’s always been about the two of them, while getting laser-whipped, or whatever? Uh huh.

Totally. Good.

High Points: That one moment when Skeletor is being weird to Evil-Lyn, staring right in her eyes but not making out with her; when Dolph finally belts out I HAVE THE POWER whilst getting whipped by a laser-whip, much to Skeletor’s obvious titillation … when the cop stays in Eternia because duh, and also, pretty much everything. (So sez Molly: Jesse will save his points for the next section)

Low points: Billy Barty as not-Orko, being goddamn Orko. The whole “instead of making a He-man movie, why don’t we just make another bland, broke-ass ‘warriors from another time and place comes to earth’ picture” thing. Everyone except Dolph wearing entirely too many pants.

Final Verdict: Molly gives it two thumbs up. Jesse remains solidly a Skeletor-sized “hater.”

Next Time: Only the gods know…

I have super-tight Achilles tendons and calf muscles. Basically this means my knees won’t move past my toes if I try to drop into a squat without assistance. (On a Smith machine or with TRX bands I can get into a deep squat, but only if I distribute my weight in an unusual fashion.) In the past, this has never been a big problem for me, because I can run, hike, lift weights, whatever, I just tend to be up on my toes a lot when active. Even in yoga it’s never mattered so very much—in down-dog, my heels are off the ground, but so what. It’s not pretty, but I’ve never been graceful so no surprises there.

Unfortunately for me, my current athletic endeavors focus on the ankle and calf quite a bit. Squatting is important, as is keeping my heels planted on the ground at all times. I figured over time my ankles and calves would loosen naturally through practice, but this hasn’t proven to be the case. Thus: Project Increase Ankle/Calf Flexibility. I know this isn’t the most fascinating blog topic, but it’s taken me a while to assemble a good routine to treat this issue, and only from consulting several sources including physical and massage therapists. So yeah, I figured I’d consolidate what I’ve learned here in case anyone (like me) googles ankle/calf flexibility and finds the same old stuff (stuff that hasn’t been particularly effective for me).

This is now what my daily routine looks like:

In the morning before getting up for the first time, I sit on the edge of the bed and do 20 ankle circles in both directions, then 20 repetitions of pointing my toes and then flexing my feet. Then I trace the alphabet with my toes. This warms up my ankles nicely.

Later in the day, after I’ve walked around/warmed up a bit, I do two calf stretches: this one, and then this bent-knee calf stretch. I hold both for at least a minute. Then I do a few sun salutations, focusing on downward dog. I “walk the dog” and do one-legged down-dog, focusing on stretching my weight-bearing heel downward toward the mat. Then I squeeze one ankle between the big and second toes of the other foot, and try to physically use my non-weight-bearing foot to drag down my weight-bearing ankle. I think that makes sense, how I’ve typed it.

Next I face a wall, placing my toes a few inches from the baseboard. I try to then touch my knee to the wall, slowly pulsing back and forth. I do this 10 times per leg, holding the last one (wherever I’m at that particular day) for a minute.

Because sometimes tightness in the calf can lead to shin pain, I then walk around on my heels with my toes as up in the air as I can manage to balance all the calf stretching. Then I round out the routine with some super-skaters, to strengthen the muscles around the ankle and calf, and work on my balance. (The demo starts at 0:50, there’s an annoying long intro.)

At night, I repeat the circles, flexing/pointing, and alphabet routine. Then I ice my ankles.

That’s it. It doesn’t take too long, and my ankles definitely feel stretched at the end of the day, but not overly so. I feel like I’ve made some slight gains already, and hope to make more steady progress. I’ve also followed up on the recommendation of sleeping in a night splint (yesterday I finally ordered one). It’s super-sexy bedwear, as you can see. The purpose of this is to keep my foot in a neutral position for the time I’m sleeping. (My ankles/calves are so tight that when sleeping my toes point forward like a ballerina’s.) Given the price I just got one, and am going to alternate feet every night. Typically these are used to treat plantar fasciitis but now a physical and massage therapist have independently told me they’ll help my ankles, so here’s hoping.

Anyways, if you’ve had this problem, and feel like sharing stuff that’s worked for you, that would be awesome! I’m amenable to adding in more stuff.

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